lunedì, 11 maggio 2009

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postato da: estest alle ore 10:21 | Permalink | commenti
categoria:games, literature, 4b
lunedì, 17 novembre 2008
postato da: estest alle ore 09:11 | Permalink | commenti
categoria:culture, literature, 3 a spp
lunedì, 03 novembre 2008

Bonfire Night - Guy Fawkes



Remember, remember the fifth of November

Gunpowder, treason and plot.
I see no reason, why gunpowder treason
Should ever be forgot.

Read about the story:
www.woodlands-junior.kent.sch.uk/customs/guy/index.htm


Can you compare Halloween, Guy Fawkes and Carnival using this online Graphic Organizer?

www.classtools.net/main_area/venn.htm
postato da: estest alle ore 14:39 | Permalink | commenti
categoria:holidays, culture, literature
domenica, 02 novembre 2008

After 300 years  archaeologists have finally confirmed the campsite of castaway Alexander Selkirk, thought to be the inspiration for Robinson Crusoe.

An article in the journal Post-Medieval Archaeology claims that an archaeological dig on the Argentinian island of Aguas Buenas, 470 miles off the Chilean coast, reveals evidence of the campsite of an early European occupant.
They believe this demonstrates  Selkirk’s presence on the island, some objects have belonged to a ship’s navigator or master.
Three hundred years after Alexander Selkirk, the castaway who was the inspiration for the fictional Robinson Crusoe, was marooned on an island off the coast of Chile, archaeologists are sure that they have unearthed evidence of his campsite.

http://www.timesonline.co.uk/tol/news/uk/scotland/article5052265.ece
http://www.telegraph.co.uk/news/newstopics/howaboutthat/3286355/Mystery-of-Alexander-Selkirk-the-real-Robinson-Crusoe-solved.html
postato da: estest alle ore 11:07 | Permalink | commenti (1)
categoria:news, literature
venerdì, 03 ottobre 2008
postato da: estest alle ore 15:58 | Permalink | commenti
categoria:literature, listening, 4a spp
lunedì, 14 aprile 2008


WebQuests


BEOWULF



http://www.kn.pacbell.com/wired/fil/pages/webgoodandra.html



 




 

Medieval Times

http://www.ndaviess.k12.in.us/elemshare/Teachers/jweathers/Medieval.htm

       
         

Shakespeare's Life and Times

http://internetshakespeare.uvic.ca/Library/SLT/intro/introsubj.html

 


 

Romeo and Juliet


Romeo_and_juliet1.jpg

       
         
 

Romantic age

http://cecnbouvier.educanet2.ch/anglaisgym/gym/literature/Romantic%20Poets/romantic_poets.htm

 

       

 

(Karin's ESL PartyLand)  

DICKENS and VICTORIAN TIMES a WebQuest  

http://www.ac-nancy-metz.fr/enseign/anglais/Henry/webquests/DICKENS/dickenswq.htm

 



Discovering Halloween

 

http://www.harrison.k12.nj.us/faculty/ndamiano/Halloween%20webquest.htm


March 22nd 2007

 

A new WebQuest: USA Today Online http://www.usatoday.com/ 

This is the web site for the newspaper USA Today.  Go to the above address and answer the following questions:   

What are the main headlines for today?  What are these stories about?  What are the sections for USA Today?  

 1.      

Click on "News."  With your partner, select one of the top stories.  Read the story together.  Then, discuss these questions: Who is it about?  Where is it from?  What happened?  When did this happen?  How?   Why did this happen?  What is your opinion on this event?  .      

Take a few minutes to explore the web site.  You can answer polls, look at charts, and skim through some other stories.  

 

postato da: estest alle ore 08:30 | Permalink | commenti
categoria:literature, webquests, 5aspp
martedì, 11 marzo 2008

postato da: estest alle ore 16:38 | Permalink | commenti
categoria:literature
domenica, 27 gennaio 2008

Pre-Raphaelite
Isabella and the Pot of Basil 1868 (A Story from Boccaccio. Taken from the Keats poem, it depicts a grief-stricken woman mourning over a spectacularly beautiful pot of basil in which the head of her dead lover is stored. It surely speaks of life resurrected through nature. The model was Hunts first wife Fanny who died during the creation of the piece, adding to its tragedy and realism.
http://www.bartleby.com/126/38.html



OSCAR WILDE


http://ercoleguidi.altervista.org/wilde/dg_preface.htm testo con traduzione



  • How does the Preface function as an introduction to the ideas contained in DG?

  • Think about the ways in which this is a narrative of a fall from innocence.  

  • Write down a few key aphorisms from the text. Why do they strike you so strongly? Look for examples of contradiction and paradox

  • Is this a text with a moral? If so, how does that reflect on Wilde's assertion in the preface that literature is neither moral or immoral?

  • Consider the narrative in light of the following myths: the fall and expulsion from Eden; Narcissus; Dr. Jekyll and Mr. Hyde.

  • Where do you see implicit references to homosexuality contained in the text?

  • What is the relationship between Art and Life put forth by this novel?



DAFFODILS by WILLIAM WORDSWORTH
postato da: estest alle ore 18:15 | Permalink | commenti
categoria:literature
martedì, 15 maggio 2007

 


J K ROWLING BIOGRAPHY

AND

HARRY POTTER


INCLUDING

FILM LOCATIONS,

HARRY'S GUIDE TO VISITING CASTLES,

LEARNING MAGIC, SPELLS,

AND COMMENTARY


 http://home.freeuk.com/webbuk2/harrypotter.htm


 


Analysis of Major Characters


Lemuel Gulliver

Although Gulliver is a bold adventurer who visits a multitude of strange lands, it is difficult to regard him as truly heroic. He is not cowardly—on the contrary, he undergoes the  experiences of nearly being devoured by a giant rat, taken captive by pirates, shipwrecked on faraway shores and shot in the face with poison arrows. Additionally, the isolation from humanity that he endures for sixteen years must be hard to bear, though Gulliver rarely talks about such matters. Yet despite the courage Gulliver shows throughout his voyages, his character lacks basic greatness. This impression could be due to the fact that he rarely shows his feelings, reveals his soul, or experiences great passions of any sort. But other literary adventurers, like Odysseus in Homer’s Odyssey, seem heroic without being particularly open about their emotions.Odysseus’s goal is to get home again, Aeneas’s goal in Virgil’s Aeneid is to found Rome, but Gulliver’s goal on his sea voyage is uncertain. He says that he needs to make some money after the failure of his business, but he rarely mentions finances throughout the work and indeed almost never even mentions home. He has no awareness of any greatness in what he is doing or what he is working toward. In short, he has no aspirations. When he leaves home on his travels for the first time, he gives no impression that he regards himself as undertaking a great endeavor or embarking on a thrilling new challenge.



The Queen of Brobdingnag

The Brobdingnagian queen is hardly a well-developed character in this novel, but she is important in one sense: she is one of the very few females in Gulliver’s Travels who is given much notice. Gulliver’s own wife is scarcely even mentioned,Gulliver seems little more than indifferent to his wife. The farmer’s daughter in Brobdingnag wins some of Gulliver’s attention but chiefly because she cares for him so tenderly. Gulliver is courteous to the empress of Lilliput but presumably mainly because she is royalty. The queen of Brobdingnag, however, arouses some deeper feelings in Gulliver that go beyond her royal status. He compliments her effusively, as he does no other female personage in the work, calling her infinitely witty and humorous. He describes in proud detail the manner in which he is permitted to kiss the tip of her little finger. For her part, the queen seems earnest in her concern about Gulliver’s welfare. When her court dwarf insults him, she gives the dwarf away to another household as punishment. The interaction between Gulliver and the queen hints that Gulliver is indeed capable of emotional connections.



Lord Munodi

Lord Munodi is a minor character, but he plays the important role of showing the possibility of individual dissent within a brainwashed community. While the inhabitants of Lagado pursue their attempts to extract sunbeams from cucumbers and to eliminate all verbs and adjectives from their language, Munodi is a rare example of practical intelligence. Having tried unsuccessfully to convince his fellows of their misguided public policies, he has given up and is content to practice what he preaches on his own estates. In his kindness to strangers, Munodi is also a counterexample to the contemptuous treatment that the other Laputians and Lagadans show Gulliver. He takes his guest on a tour of the kingdom, explains the advantages of his own estates without boasting, and is, in general, a figure of great common sense and humanity amid theoretical delusions and impractical fantasizing. As a figure isolated from his community, Munodi is similar to Gulliver, though Gulliver is unaware of his alienation while Munodi suffers acutely from his. Indeed, in Munodi we glimpse what Gulliver could be if he were wiser: a figure able to think critically about life and society.






postato da: estest alle ore 17:40 | Permalink | commenti
categoria:literature
lunedì, 23 aprile 2007

Eveline



SHE sat at the window watching the evening invade the avenue. Her head was leaned against the window curtains and in her nostrils was the odour of dusty cretonne. She was tired.


Few people passed. The man out of the last house passed on his way home; she heard his footsteps clacking along the concrete pavement and afterwards crunching on the cinder path before the new red houses. One time there used to be a field there in which they used to play every evening with other people's children. Then a man from Belfast bought the field and built houses in it -- not like their little brown houses but bright brick houses with shining roofs. The children of the avenue used to play together in that field -- the Devines, the Waters, the Dunns, little Keogh the cripple, she and her brothers and sisters. Ernest, however, never played: he was too grown up. Her father used often to hunt them in out of the field with his blackthorn stick; but usually little Keogh used to keep nix and call out when he saw her father coming. Still they seemed to have been rather happy then. Her father was not so bad then; and besides, her mother was alive. That was a long time ago; she and her brothers and sisters were all grown up her mother was dead. Tizzie Dunn was dead, too, and the Waters had gone back to England. Everything changes. Now she was going to go away like the others, to leave her home.


Home! She looked round the room, reviewing all its familiar objects which she had dusted once a week for so many years, wondering where on earth all the dust came from. Perhaps she would never see again those familiar objects from which she had never dreamed of being divided. And yet during all those years she had never found out the name of the priest whose yellowing photograph hung on the wall above the broken harmonium beside the coloured print of the promises made to Blessed Margaret Mary Alacoque. He had been a school friend of her father. Whenever he showed the photograph to a visitor her father used to pass it with a casual word:


"He is in Melbourne now."


She had consented to go away, to leave her home. Was that wise? She tried to weigh each side of the question. In her home anyway she had shelter and food; she had those whom she had known all her life about her. O course she had to work hard, both in the house and at business. What would they say of her in the Stores when they found out that she had run away with a fellow? Say she was a fool, perhaps; and her place would be filled up by advertisement. Miss Gavan would be glad. She had always had an edge on her, especially whenever there were people listening.


"Miss Hill, don't you see these ladies are waiting?"


"Look lively, Miss Hill, please."


She would not cry many tears at leaving the Stores.


But in her new home, in a distant unknown country, it would not be like that. Then she would be married -- she, Eveline. People would treat her with respect then. She would not be treated as her mother had been. Even now, though she was over nineteen, she sometimes felt herself in danger of her father's violence. She knew it was that that had given her the palpitations. When they were growing up he had never gone for her like he used to go for Harry and Ernest, because she was a girl but latterly he had begun to threaten her and say what he would do to her only for her dead mother's sake. And no she had nobody to protect her. Ernest was dead and Harry, who was in the church decorating business, was nearly always down somewhere in the country. Besides, the invariable squabble for money on Saturday nights had begun to weary her unspeakably. She always gave her entire wages -- seven shillings -- and Harry always sent up what he could but the trouble was to get any money from her father. He said she used to squander the money, that she had no head, that he wasn't going to give her his hard-earned money to throw about the streets, and much more, for he was usually fairly bad on Saturday night. In the end he would give her the money and ask her had she any intention of buying Sunday's dinner. Then she had to rush out as quickly as she could and do her marketing, holding her black leather purse tightly in her hand as she elbowed her way through the crowds and returning home late under her load of provisions. She had hard work to keep the house together and to see that the two young children who had been left to hr charge went to school regularly and got their meals regularly. It was hard work -- a hard life -- but now that she was about to leave it she did not find it a wholly undesirable life.


She was about to explore another life with Frank. Frank was very kind, manly, open-hearted. She was to go away with him by the night-boat to be his wife and to live with him in Buenos Ayres where he had a home waiting for her. How well she remembered the first time she had seen him; he was lodging in a house on the main road where she used to visit. It seemed a few weeks ago. He was standing at the gate, his peaked cap pushed back on his head and his hair tumbled forward over a face of bronze. Then they had come to know each other. He used to meet her outside the Stores every evening and see her home. He took her to see The Bohemian Girl and she felt elated as she sat in an unaccustomed part of the theatre with him. He was awfully fond of music and sang a little. People knew that they were courting and, when he sang about the lass that loves a sailor, she always felt pleasantly confused. He used to call her Poppens out of fun. First of all it had been an excitement for her to have a fellow and then she had begun to like him. He had tales of distant countries. He had started as a deck boy at a pound a month on a ship of the Allan Line going out to Canada. He told her the names of the ships he had been on and the names of the different services. He had sailed through the Straits of Magellan and he told her stories of the terrible Patagonians. He had fallen on his feet in Buenos Ayres, he said, and had come over to the old country just for a holiday. Of course, her father had found out the affair and had forbidden her to have anything to say to him.


"I know these sailor chaps," he said.


One day he had quarrelled with Frank and after that she had to meet her lover secretly.


The evening deepened in the avenue. The white of two letters in her lap grew indistinct. One was to Harry; the other was to her father. Ernest had been her favourite but she liked Harry too. Her father was becoming old lately, she noticed; he would miss her. Sometimes he could be very nice. Not long before, when she had been laid up for a day, he had read her out a ghost story and made toast for her at the fire. Another day, when their mother was alive, they had all gone for a picnic to the Hill of Howth. She remembered her father putting on her mothers bonnet to make the children laugh.


Her time was running out but she continued to sit by the window, leaning her head against the window curtain, inhaling the odour of dusty cretonne. Down far in the avenue she could hear a street organ playing. She knew the air Strange that it should come that very night to remind her of the promise to her mother, her promise to keep the home together as long as she could. She remembered the last night of her mother's illness; she was again in the close dark room at the other side of the hall and outside she heard a melancholy air of Italy. The organ-player had been ordered to go away and given sixpence. She remembered her father strutting back into the sickroom saying:


"Damned Italians! coming over here!"


As she mused the pitiful vision of her mother's life laid its spell on the very quick of her being -- that life of commonplace sacrifices closing in final craziness. She trembled as she heard again her mother's voice saying constantly with foolish insistence:


"Derevaun Seraun! Derevaun Seraun!"


She stood up in a sudden impulse of terror. Escape! She must escape! Frank would save her. He would give her life, perhaps love, too. But she wanted to live. Why should she be unhappy? She had a right to happiness. Frank would take her in his arms, fold her in his arms. He would save her.


She stood among the swaying crowd in the station at the North Wall. He held her hand and she knew that he was speaking to her, saying something about the passage over and over again. The station was full of soldiers with brown baggages. Through the wide doors of the sheds she caught a glimpse of the black mass of the boat, lying in beside the quay wall, with illumined portholes. She answered nothing. She felt her cheek pale and cold and, out of a maze of distress, she prayed to God to direct her, to show her what was her duty. The boat blew a long mournful whistle into the mist. If she went, tomorrow she would be on the sea with Frank, steaming towards Buenos Ayres. Their passage had been booked. Could she still draw back after all he had done for her? Her distress awoke a nausea in her body and she kept moving her lips in silent fervent prayer.


A bell clanged upon her heart. She felt him seize her hand:


"Come!"


All the seas of the world tumbled about her heart. He was drawing her into them: he would drown her. She gripped with both hands at the iron railing.


"Come!"


No! No! No! It was impossible. Her hands clutched the iron in frenzy. Amid the seas she sent a cry of anguish.


"Eveline! Evvy!"


He rushed beyond the barrier and called to her to follow. He was shouted at to go on but he still called to her. She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition.


http://www.enotes.com/eveline/


http://www.sparknotes.com/lit/dubliners/themes.html


 


 

postato da: estest alle ore 21:35 | Permalink | commenti
categoria:literature

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